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Blog Tag: Case study

Case study:  Documenting bastides, France’s medieval market towns
May 16, 2016

Case study: Documenting bastides, France’s medieval market towns

Editor’s note: this post was updated to reflect Artstor’s platform changes. In the 13th century, southwestern France gave birth to several hundred new planned towns, partly to replace villages destroyed in the Albigensian Crusades and partly to revivify a stagnating economy and tame areas of wilderness¹. Some were designed as fortress communities, while others were laid […]

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Case study: Preserving and sharing a school’s rich history
March 23, 2016

Case study: Preserving and sharing a school’s rich history

Editor’s note: this post was updated to include current information about Artstor’s platform for public collections. At the end of 1917, the Federated Home & School Association of Santa Rosa sent a recommendation to the local Board of Education to form a junior college. The following fall, Santa Rosa Junior College offered its first classes at […]

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Florence: City of the Living, City of the Dead
June 17, 2013

Florence: City of the Living, City of the Dead

Anne C. Leader, Professor, SCAD-Atlanta While the primary motivation for patrons of religious architecture and decoration was to gain or retain God’s grace, Florentine tomb monuments manifest a conflicting mix of piety and social calculation, reflecting tension between Christian humility and social recognition. Though some city churches still house many tombs, most of the thousands of […]

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Wrapped Up in Lace: Chantilly
June 17, 2013

Wrapped Up in Lace: Chantilly

Lisa Hartley, Columbus College of Art Design The small town of Chantilly, France, is home to Chantilly Castle, an architectural wonder of sandstone, antiquated fountains, and enchanting gardens. Here is where lace, my research niche and mild obsession, takes center stage. The traditions and skills used in lacemaking date back to early as the 16th […]

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Washington’s Secret City: Cultural Capital
June 17, 2013

Washington’s Secret City: Cultural Capital

Amber N. Wiley, Ph.D. , Visiting Assistant Professor of Architecture, Tulane University Historian Constance Green characterized Washington, D.C. in the early 1900s as the “undisputed center of American Negro civilization” in her 1969 book Secret City: History of Race Relations in the Nation’s Capital. This was America before the Harlem Renaissance, in which the average percentile […]

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Alexandria, The City
June 17, 2013

Alexandria, The City

Marlene Nakagawa, Undergraduate student at the University of Oregon During his ongoing series of campaigns, Alexander the Great founded or renamed nearly twenty cities after himself. From Pakistan to Turkey, these cities stood as a representation (as if one was necessary) of his omnipresence in the ancient world. Over the centuries, most of the Alexandrian cities […]

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Shushtar: A Town to Tame Water
June 17, 2013

Shushtar: A Town to Tame Water

Peyvand Firouzeh, PhD Candidate, University of Cambridge Aridity in the Islamic world stands in contrast to the well-known landscape architecture of Islamic gardens, where water is used generously and luxuriously. The contrast hints at creative methods of dealing with water scarcity: from man-made canals and reservoirs to cisterns and qanats (subterranean tunnel-wells), examples of which can […]

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Silkworms in the Library
June 18, 2012

Silkworms in the Library

Amelia Nelson Cataloging and Digital Services Librarian Kansas City Art Institute In the spring semester the library collaborated with the Fibers Department by hosting 500 growing silkworms in one of the display cases at the library entrance. The worms were grown as part of the course “Fiber History and Properties.” The silkworms’ development was tracked […]

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Grammar in art
February 16, 2012

Grammar in art

By Lera Boroditsky, Assistant Professor of Psychology at Stanford University How do artists decide whether time, death, or liberty should be personified as male or female? One suggestion comes from linguistics.  For example, Roman Jakobson (1959) reports: “The Russian painter Repin was baffled as to why Sin had been depicted as a woman by German artists: […]

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